In 1971 the art historian Linda Nochlin posed the famous question ‘Why have there been no great women artists?’ The answer is, of course, that there have been - many. This course will consider the lives and work of the 'forgotten ones' those marginalised female art makers, patrons and collectors consistently written out of the western canon and forgotten by art history; a history traditionally written by men, for men, about men, until the second half of the twentieth century, that is. Led by female art historians, cultural commentators, educators and practitioners a programme of recovery and reappraisal that began during the1960s and 70s has brought some of these forgotten women into the light, highlighting the socio-cultural conditions that shaped them and discussing how the representation of women in the wider culture has idealised, demonised, objectified or, sexualised women. In no way a feminist rant, but rather a journey of discovery for all.
Course aim
This course provides an introduction to the cultural conditions, issues and debates that shaped the lives and work of female practitioners, with a focus on the recovery of those women traditionally written out of art history
Do I need any particular skills or experience?
- This course is for beginners and improvers
- A suggested reading list will be supplied
By the end of the course I should be able to:
- discuss a range of historical and contemporary socio-cultural issues and debates associated with the role of female art practitioners and patrons throughout the history of art
- consider a range of historical and contemporary socio-cultural issues and debates associated with the representation of women in art and culture
- be conversant with the lives and work of a number of once culturally marginalised and/or unrepresented female art practitioners
- appreciate the socio-cultural obstacles that female practitioners have traditionally faced in forging careers in the arts
What else do I need to know?
Writing materials would be required for note-taking
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